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Member for 6 years
ABLETON LIVE 11 - SUITE v.11.0.2 by TeamR2R [Re-Pack by teamOS-HKRG]
LIVE 11 SUITE v.11.0.2
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.
Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways.
The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted, and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched, and washed-out effects.
PitchLoop89
Create jittery glitch effects, delayed digital shimmers, and outlandish vibrato with this Max for Live pitch-shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.
Duration: Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.
Vector FM
Manipulate different combinations of FM oscillators represented by moving particles – play with movement and voices to create evolving modulations and textures.
Vector Grain
A granular looper that visualizes sound modulation by moving particles on the interface – play with attraction and magnetism or loop the particles through a flow field.
Vector Delay
Each visualized particle in this multitap delay device represents a different delay line – create pitch shifting or reverse delay effects with movement controlled by physical forces.
Emit
This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning.
Tree Tone
Grow different fractal patterns inspired by plants, then use them as resonators for internally generated noise or incoming audio.
Bouncy Notes
Bounce balls up and down a piano roll to create pitch-shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.
System Requirements
Windows
Windows 10 (Build 1909 and later)
Intel® Core™ i5 processor or an AMD multi-core processor.
8 GB RAM
1366x768 display resolution
ASIO compatible audio hardware for Link support (also recommended for optimal audio performance)
Access to an internet connection for authorizing Live (for downloading additional content and updating Live, a fast internet connection is recommended)
Approximately 3 GB disk space on the system drive for the basic installation (8 GB free disk space recommended)
Up to 76 GB disk space for additionally available sound content
MacOS
OS X 10.13 or later (more on macOS Big Sur)
Intel® Core™ i5 processor (more on Apple silicon and the M1 chip)
8 GB RAM
1280x800 display resolution
Core Audio compliant audio interface recommended
Access to an internet connection for authorizing Live (for downloading additional content and updating Live, a fast internet connection is recommended)
Approximately 3 GB disk space on the system drive for the basic installation (8 GB free disk space recommended)
Up to 76 GB disk space for additionally available sound content
Live Compatibility with Apple Silicon
Live Versions: 10, 11
Operating System: macOS
Live 10.1.35 and 11 are compatible with Apple silicon computers running Rosetta.
When you open an Intel-based application for the first time on an Apple silicon computer, you will be asked to install Rosetta. You only have to do this once and then it will be available for all Intel-based applications.
Intel-based/universal plug-ins that are compatible with Rosetta will work, however native Apple silicon plug-ins are not supported at this time.
Multi-core CPU handling
Live Versions: All
Operating System: All
A multi-core CPU is a computer processor which has two or more sections. Each section of the chip executes instructions as if it was a separate computer.
The actual processors are still on one chip. A dual-core processor is a multi-core processor with two independent microprocessors. A quad-core processor is a multi-core processor with four independent microprocessors.
Multi-core processors allow more efficient simultaneous processing of multiple tasks, making them more powerful than single-core processors. Virtually all modern systems have multi-core processors as standard.
Enabling multi-core support
A multi-core processor is required to run Live 10 and 11, therefore it is always active by default. Live 9 can run on single-core computers, but performance will be limited. In Live 9’s Preferences, you can enable or disable multi-core support on the CPU tab.
What is a thread?
A thread is a sequence of instructions executed by a CPU core. A program can divide itself into several threads in order to be able to run on multiple cores. A thread in Live might typically constitute an audio clip playing, followed by an audio effect, then an output to the Master track.
Multi-threading
Multi-threading is the ability of an application or operating system to utilize multiple cores for processing. Live supports and uses multi-threading.
Hyper-threading
Hyper-threading is a feature of certain processors which allows them to further subdivide cores so that two concurrent threads can be handled per core. Hyper-threading is enabled by default in Live for computers with multi-core processors.
In Live 9, if your computer only has a single-core processor, hyper-threading is automatically disabled in order to preserve the correct order of the threads to be processed.
How many cores and threads of a multi-core processor can be utilized at once?
Live supports up to 64 cores for audio processing on Mac and Windows. Likewise, Live supports up to 64 processing threads for audio calculation.
How many threads are used per Live track?
Live uses one thread to process a signal path. A signal path is a single chain of audio flow. In tracks where instrument or effect racks are used, with multiple chains in parallel, Live may use one thread per chain depending on how CPU-intensive each chain may be. If two tracks are "chained" by routing, for instance by a side-chain routing, they are considered dependent tracks and count as one signal path.
Any dependent set of tracks will use one thread each.
Why do I have a high CPU load in a set with just one track?
Because Live uses one thread per signal path, a set with just one track could potentially result in high CPU load if the track contains, for instance, a CPU-intensive instrument followed by a large chain of CPU-intensive effects.
Which is more beneficial, a faster CPU speed or more cores?
Both are important. If your budget allows it we recommend getting the fastest processor and maximum amount of cores that you can afford.
Here's a breakdown of the pros and cons of both:
More cores, slower clock speed
Pros
Live supports multi-threading, therefore the more cores are available, the more efficient it will be when working with larger sets with higher track counts, or when working with large instrument or effect racks.
You'll probably be able to run more apps in conjunction with Live without seeing performance drops.
Cons
Lower single-threaded performance than a higher clock speed processor.
Fewer cores, higher clock speed
Pros
Better single-threaded performance.
Cons
Fewer cores to split between applications.
Not as strong multi-threading performance.
Mac Compatibility with Live:
Live Versions: 10, 11
Operating System: macOS
Note: We highly recommend waiting until Live and all your third-party plug-ins, hardware drivers, and other programs are officially supported before updating to a new OS.
Apple Silicon/M1 Compatibility
Live 10.1.35 and 11 are compatible with Apple silicon computers through Rosetta.
macOS 11 Big Sur Compatibility
Live 10.1.35 and 11 are compatible with Big Sur.
Live 11
Live 11 is compatible with macOS High Sierra 10.13.6 to Big Sur 11.
Live 10
Live 10.1.35 is compatible with macOS El Capitan 10.11.6 to Big Sur 11.
Note: When updating to any new OS, please make sure that all of your third-party plug-ins, hardware drivers, and other software programs are officially supported.
Make backups of any important data before upgrading your operating system. If you are working on any time-critical projects, we recommend staying with your current OS for the time being.
[The organization of the thread could have been better, but I wanted to post it before someone else did, LOL. ~BB]
HASHES:
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CRC-32: Cyclic redundancy check, 32 bit: 686C7273
Message-Digest algorithm
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e2dk: acbb511a6ad6cb6349964d5605b3a382
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US Secure Hash Algorithm
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SHA-0: US Secure Hash Algorithm 0: 5D17F8CE7D96074465CF9754A9B0DCEA59DB6841
SHA-1: US Secure Hash Algorithm 1: A5211C29B0ABB214B3288DDBC472121FF4F6109A
SHA-256: US Secure Hash Algorithm: 2861E1AA9B4829993165487EB1BDCAE9769BA3F44CAF03B17F88442C4DF53F1C
SHA-384: US Secure Hash Algorithm: 2646F2583025F9365A2D1A1BB372EF0330C05BE49E1977A8917233F73F439BD2DB0EFD9DC2FE5474DDCBD06569A49169
SHA-512: US Secure Hash Algorithm: 8B20C4AB5AD9DC3E3407B5C822591B6CC99CC226CD46D02BED188B0F7D221A6ED37E621AE93C55A347E42DA308990265F0E589D6C0B1D520E9E84088537A6E
install instructions :
install instructions, are in .rar file
LIVE 11 SUITE v.11.0.2
Hybrid Reverb
Hybrid Reverb combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Use the algorithmic side to add control and modulate the reverb tail, run it in parallel or in series with the convolution side, or play Hybrid Reverb like an instrument for real-time sound design.
Spectral Resonator
Breaks the spectrum of an incoming audio signal into partials, then stretches, shifts and blurs the result by a frequency or a note in subtle or radical ways.
The MIDI sidechain input also allows musicians to process material in key and even play the device as if it were a polyphonic instrument.
Spectral Time
Transforms sound into partials and feeds them into a frequency-based delay, resulting in metallic echoes, frequency-shifted, and reverb-like effects. The Freeze function captures and holds a slice of audio – either free-running or in time with the beat – for stuttered, glitched, and washed-out effects.
PitchLoop89
Create jittery glitch effects, delayed digital shimmers, and outlandish vibrato with this Max for Live pitch-shifting device created in collaboration with Robert Henke and inspired by the Publison DHM 89 – an early digital effects processor. It’s a flexible tool to add character to sounds in the studio, or for in-the-moment experimentation onstage.
Duration: Inspired by Nature
Six playful instruments and effects created in collaboration with Dillon Bastan that use natural and physical processes as their inspiration.
Vector FM
Manipulate different combinations of FM oscillators represented by moving particles – play with movement and voices to create evolving modulations and textures.
Vector Grain
A granular looper that visualizes sound modulation by moving particles on the interface – play with attraction and magnetism or loop the particles through a flow field.
Vector Delay
Each visualized particle in this multitap delay device represents a different delay line – create pitch shifting or reverse delay effects with movement controlled by physical forces.
Emit
This visual granular synthesizer uses particles shooting across a spectrogram to show the grain of a sample being played, while vertical movements represent filtering and panning.
Tree Tone
Grow different fractal patterns inspired by plants, then use them as resonators for internally generated noise or incoming audio.
Bouncy Notes
Bounce balls up and down a piano roll to create pitch-shifting delay effects or arpeggiation with this gravity-based MIDI sequencer.
Comping
Live organizes multiple passes of an audio or MIDI performance into individual takes. Combine the best of many takes or find creative new combinations.
Linked-track editing
Link two or more audio or MIDI tracks to edit or comp their content simultaneously.
MPE
MPE compatibility
Add bends, slides, and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.
Expression View
Add and edit pitch, timbre, and pressure variations of individual notes directly in a new tab in the Clip Detail View.
MPE-capable native devices
Wavetable, Sampler and Arpeggiator now support MPE. Use Push’s pad pressure to control parameters per note.
New Sounds:
Voice Box
A comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing.
Mood Reel
Evocative layered instruments that combine organic and synthetic sounds with textural elements to add mood, space, and movement to productions.
Drone Lab
Sustained tonal and textural samples, generative noise, multi-sampled instruments, plus devices, and Effect Racks designed for experimentation.
Upright Piano
Upright Piano is close-recorded for an intimate feel – a classic sound that is at home in many styles of music. Created in collaboration with Spitfire Audio.
Brass Quartet
This instrument highlights the natural breathiness, range of expression, and broad tonality of the brass quartet. Created in collaboration with Spitfire Audio.
String Quartet
This combination of two violins, viola and cello have a sound that is immediately intimate and is also a great starting point for sonic exploration. Created in collaboration with Spitfire Audio.
Updated Sounds:
Updated Core Library
Live’s Core Library is expanded with a focus on contemporary music production, including new drum kits, Instrument Racks, Audio Effect Racks, Grooves, loops and MIDI clips. Plus, improved browsing makes sounds easier to find.
Updates to AAS instrument interfaces
The user interfaces of all instruments made in collaboration with Applied Acoustic Systems have been updated.
Updated Packs
Drum Booth features a new MIDI drum library and mix-ready presets. Grand Piano and Electric Keyboards now come with MIDI licks, phrases, and progressions. MIDI drum grooves and instrumental parts have been added to Chop and Swing, Skitter and Step, Drive and Glow.
More Additions:
Refined clip editing
Edit loops of multiple clips simultaneously, focus on a single clip in context and easily transpose entire arrangements from one piano roll.
Improved Clip Detail View
New tabs for Note Parameters, Follow Actions, Envelopes and MPE provide a clearer overview of and access to parameters and properties of a Clip.
Improved CPU metering
An updated master display can now show current and average CPU usage, plus per-track CPU meters show which tracks in a set use the most processing power.
Keys and scales
Use scales directly in Live’s MIDI editor as a guide or reference – this is linked to Push, and can be changed per clip.
KEY FEATURES:
Unlimited Audio and MIDI tracks - Unlimited Scenes - 12 Send and Return tracks - 256 mono audio input channels - 256 mono audio output channels
Capture MIDI - Complex warp modes - Audio-slicing - Audio to MIDI - Max for Live
5000+ SOUNDS (70+ GB):
Play Chop and Swing - Play Drum Essentials - Play Grand Piano - Play Guitars and Bass - Play Skitter and Step
Mood Reel - Play Chop and Swing - Play Drum Essentials - Play Grand Piano - Play Guitars and Bass - Play Skitter and Step - Play Beat Tools - Play Drum Booth
Play Electric Keyboards - Play Latin Percussion - Play Orchestral Brass - Play Orchestral Mallets - Play Orchestral Strings - Play Orchestral Woodwinds
Play Synth Essentials - Play Build and Drop - Play Glitch and Wash - Play Drive and Glow - Play Punch and Tilt
Play Session Drums Club - Play Session Drums Studio - Brass Quartet - Drone Lab - Inspired by Nature - String Quartet - Upright Piano - Voice Box
+ MORE...
SOFTWARE INSTRUMENTS:
Drum Rack
Impulse
Instrument Rack
Simpler
Drum Rack
Impulse
Instrument Rack
Simpler
External Instrument
DrumSynths
Impulse
Instrument Rack
Simpler
External Instrument
DrumSynths
Analog
Bass
Collision
CV Instrument
CV Triggers
Operator
Electric
Poli
Sampler
Wavetable
Tension
Operator
AUDIO EFFECTS:
Audio Effect Rack
Auto Filter
Auto Pan
Beat Repeat
Channel EQ
Compressor
Delay
EQ Three
Erosion
Gate
Grain Delay
Limiter
Looper
Reverb
Saturator
Tuner
Utility
LFO
Audio Effect Rack
Auto Filter
Auto Pan
Beat Repeat
Channel EQ
Compressor
Delay
EQ Three
Erosion
Gate
Grain Delay
Limiter
Looper
Reverb
Saturator
Tuner
Utility
External Audio Effect
Drum Buss
Dynamic Tube
EQ Eight
Filter Delay
Frequency Shifter
Glue Compressor
Multi-band Dynamics
Overdrive
Resonators
Spectrum
Vinyl Distortion
Vocoder
New in Live 11:
LFO
Envelope Follower
Shaper
Audio Effect Rack
Auto Filter
Auto Pan
Beat Repeat
Channel EQ
Compressor
Delay
EQ Three
Erosion
Gate
Grain Delay
Limiter
Looper
Reverb
Saturator
Tuner
Utility
External Audio Effect
Drum Buss
Dynamic Tube
EQ Eight
Filter Delay
Frequency Shifter
Glue Compressor
Multi-band Dynamics
Overdrive
Resonators
Spectrum
Vinyl Distortion
Vocoder
LFO
Envelope Follower
Shaper
Amp
Cabinet
Color Limiter
Convolution Reverb
CV Clock In
CV Clock Out
CV Envelope Follower
CV In
CV LFO
CV Shaper
CV Utility
Echo
Gated Delay
Pedal
Pitch Hack
Re-Enveloper
Spectral Blur
Surround Panner
New in Live 11:
Hybrid Reverb
PitchLoop89
Spectral Resonator
Spectral Time
Arpeggiator
Chord
MIDI Effect Rack
Note Length
Pitch
Random
Scale
Velocity
+ MORE...
MIDI EFFECTS:
Arpeggiator
Chord
MIDI Effect Rack
Note Echo
Note Length
Pitch
Random
Scale
Velocity
Envelope MIDI
Expression Control
MIDI Monitor
Melodic Steps
Rotating Rhythm Generator
NEW IN LIVE 11:
MPE Control
Expression Control
MIDI Monitor
MPE Control
Arpeggiator
Chord
MIDI Effect Rack
Note Echo
Note Length
Pitch
Random
Scale
Velocity
Envelope
Expression Control
MIDI Monitor
MPE Control
Arpeggiator
Chord
MIDI Effect Rack
Note Echo
Note Length
Pitch
Random
Scale
Velocity
Envelope MIDI
Expression Control
MIDI Monitor
Melodic Steps
Rotating Rhythm Generator
MPE Control
Hybrid Reverb
PitchLoop89
Spectral Resonator
Spectral Time
Comping
Linked-track editing
MIDI Polyphonic Expression
Note and Velocity Chance
Tempo Following
Live organizes multiple passes of an audio or MIDI performance into individual takes. Combine the best of many takes or find creative new combinations.
Linked-track editing
Link two or more audio or MIDI tracks to edit or comp their content simultaneously.
MPE
MPE compatibility
Add bends, slides, and pressure for each individual note in a chord. Add subtle expression variations, morph between chords and create evolving sonic textures.
Expression View
Add and edit pitch, timbre, and pressure variations of individual notes directly in a new tab in the Clip Detail View.
MPE-capable native devices
Wavetable, Sampler and Arpeggiator now support MPE. Use Push’s pad pressure to control parameters per note.
New Sounds:
Voice Box
A comprehensive collection of contemporary vocal samples from multiple voices, a set of playable vocal instruments, and Effect Racks designed for vocal processing.
Mood Reel
Evocative layered instruments that combine organic and synthetic sounds with textural elements to add mood, space, and movement to productions.
Drone Lab
Sustained tonal and textural samples, generative noise, multi-sampled instruments, plus devices, and Effect Racks designed for experimentation.
Upright Piano
Upright Piano is close-recorded for an intimate feel – a classic sound that is at home in many styles of music. Created in collaboration with Spitfire Audio.
Brass Quartet
This instrument highlights the natural breathiness, range of expression, and broad tonality of the brass quartet. Created in collaboration with Spitfire Audio.
String Quartet
This combination of two violins, viola and cello have a sound that is immediately intimate and is also a great starting point for sonic exploration. Created in collaboration with Spitfire Audio.
Updated Sounds:
Updated Core Library
Live’s Core Library is expanded with a focus on contemporary music production, including new drum kits, Instrument Racks, Audio Effect Racks, Grooves, loops and MIDI clips. Plus, improved browsing makes sounds easier to find.
Updates to AAS instrument interfaces
The user interfaces of all instruments made in collaboration with Applied Acoustic Systems have been updated.
Updated Packs
Drum Booth features a new MIDI drum library and mix-ready presets. Grand Piano and Electric Keyboards now come with MIDI licks, phrases, and progressions. MIDI drum grooves and instrumental parts have been added to Chop and Swing, Skitter and Step, Drive and Glow.
More Additions:
Refined clip editing
Edit loops of multiple clips simultaneously, focus on a single clip in context and easily transpose entire arrangements from one piano roll.
Improved Clip Detail View
New tabs for Note Parameters, Follow Actions, Envelopes and MPE provide a clearer overview of and access to parameters and properties of a Clip.
Improved CPU metering
An updated master display can now show current and average CPU usage, plus per-track CPU meters show which tracks in a set use the most processing power.
Keys and scales
Use scales directly in Live’s MIDI editor as a guide or reference – this is linked to Push, and can be changed per clip.
KEY FEATURES:
Unlimited Audio and MIDI tracks - Unlimited Scenes - 12 Send and Return tracks - 256 mono audio input channels - 256 mono audio output channels
Capture MIDI - Complex warp modes - Audio-slicing - Audio to MIDI - Max for Live
5000+ SOUNDS (70+ GB):
Play Chop and Swing - Play Drum Essentials - Play Grand Piano - Play Guitars and Bass - Play Skitter and Step
Mood Reel - Play Chop and Swing - Play Drum Essentials - Play Grand Piano - Play Guitars and Bass - Play Skitter and Step - Play Beat Tools - Play Drum Booth
Play Electric Keyboards - Play Latin Percussion - Play Orchestral Brass - Play Orchestral Mallets - Play Orchestral Strings - Play Orchestral Woodwinds
Play Synth Essentials - Play Build and Drop - Play Glitch and Wash - Play Drive and Glow - Play Punch and Tilt
Play Session Drums Club - Play Session Drums Studio - Brass Quartet - Drone Lab - Inspired by Nature - String Quartet - Upright Piano - Voice Box
+ MORE...
SOFTWARE INSTRUMENTS:
Drum Rack
Impulse
Instrument Rack
Simpler
Drum Rack
Impulse
Instrument Rack
Simpler
External Instrument
DrumSynths
Impulse
Instrument Rack
Simpler
External Instrument
DrumSynths
Analog
Bass
Collision
CV Instrument
CV Triggers
Operator
Electric
Poli
Sampler
Wavetable
Tension
Operator
AUDIO EFFECTS:
Audio Effect Rack
Auto Filter
Auto Pan
Beat Repeat
Channel EQ
Compressor
Delay
EQ Three
Erosion
Gate
Grain Delay
Limiter
Looper
Reverb
Saturator
Tuner
Utility
LFO
Audio Effect Rack
Auto Filter
Auto Pan
Beat Repeat
Channel EQ
Compressor
Delay
EQ Three
Erosion
Gate
Grain Delay
Limiter
Looper
Reverb
Saturator
Tuner
Utility
External Audio Effect
Drum Buss
Dynamic Tube
EQ Eight
Filter Delay
Frequency Shifter
Glue Compressor
Multi-band Dynamics
Overdrive
Resonators
Spectrum
Vinyl Distortion
Vocoder
New in Live 11:
LFO
Envelope Follower
Shaper
Audio Effect Rack
Auto Filter
Auto Pan
Beat Repeat
Channel EQ
Compressor
Delay
EQ Three
Erosion
Gate
Grain Delay
Limiter
Looper
Reverb
Saturator
Tuner
Utility
External Audio Effect
Drum Buss
Dynamic Tube
EQ Eight
Filter Delay
Frequency Shifter
Glue Compressor
Multi-band Dynamics
Overdrive
Resonators
Spectrum
Vinyl Distortion
Vocoder
LFO
Envelope Follower
Shaper
Amp
Cabinet
Color Limiter
Convolution Reverb
CV Clock In
CV Clock Out
CV Envelope Follower
CV In
CV LFO
CV Shaper
CV Utility
Echo
Gated Delay
Pedal
Pitch Hack
Re-Enveloper
Spectral Blur
Surround Panner
New in Live 11:
Hybrid Reverb
PitchLoop89
Spectral Resonator
Spectral Time
Arpeggiator
Chord
MIDI Effect Rack
Note Length
Pitch
Random
Scale
Velocity
+ MORE...
MIDI EFFECTS:
Arpeggiator
Chord
MIDI Effect Rack
Note Echo
Note Length
Pitch
Random
Scale
Velocity
Envelope MIDI
Expression Control
MIDI Monitor
Melodic Steps
Rotating Rhythm Generator
NEW IN LIVE 11:
MPE Control
Expression Control
MIDI Monitor
MPE Control
Arpeggiator
Chord
MIDI Effect Rack
Note Echo
Note Length
Pitch
Random
Scale
Velocity
Envelope
Expression Control
MIDI Monitor
MPE Control
Arpeggiator
Chord
MIDI Effect Rack
Note Echo
Note Length
Pitch
Random
Scale
Velocity
Envelope MIDI
Expression Control
MIDI Monitor
Melodic Steps
Rotating Rhythm Generator
MPE Control
Hybrid Reverb
PitchLoop89
Spectral Resonator
Spectral Time
Comping
Linked-track editing
MIDI Polyphonic Expression
Note and Velocity Chance
Tempo Following
System Requirements
Windows
Windows 10 (Build 1909 and later)
Intel® Core™ i5 processor or an AMD multi-core processor.
8 GB RAM
1366x768 display resolution
ASIO compatible audio hardware for Link support (also recommended for optimal audio performance)
Access to an internet connection for authorizing Live (for downloading additional content and updating Live, a fast internet connection is recommended)
Approximately 3 GB disk space on the system drive for the basic installation (8 GB free disk space recommended)
Up to 76 GB disk space for additionally available sound content
MacOS
OS X 10.13 or later (more on macOS Big Sur)
Intel® Core™ i5 processor (more on Apple silicon and the M1 chip)
8 GB RAM
1280x800 display resolution
Core Audio compliant audio interface recommended
Access to an internet connection for authorizing Live (for downloading additional content and updating Live, a fast internet connection is recommended)
Approximately 3 GB disk space on the system drive for the basic installation (8 GB free disk space recommended)
Up to 76 GB disk space for additionally available sound content
Live Compatibility with Apple Silicon
Live Versions: 10, 11
Operating System: macOS
Live 10.1.35 and 11 are compatible with Apple silicon computers running Rosetta.
When you open an Intel-based application for the first time on an Apple silicon computer, you will be asked to install Rosetta. You only have to do this once and then it will be available for all Intel-based applications.
Intel-based/universal plug-ins that are compatible with Rosetta will work, however native Apple silicon plug-ins are not supported at this time.
Multi-core CPU handling
Live Versions: All
Operating System: All
A multi-core CPU is a computer processor which has two or more sections. Each section of the chip executes instructions as if it was a separate computer.
The actual processors are still on one chip. A dual-core processor is a multi-core processor with two independent microprocessors. A quad-core processor is a multi-core processor with four independent microprocessors.
Multi-core processors allow more efficient simultaneous processing of multiple tasks, making them more powerful than single-core processors. Virtually all modern systems have multi-core processors as standard.
Enabling multi-core support
A multi-core processor is required to run Live 10 and 11, therefore it is always active by default. Live 9 can run on single-core computers, but performance will be limited. In Live 9’s Preferences, you can enable or disable multi-core support on the CPU tab.
What is a thread?
A thread is a sequence of instructions executed by a CPU core. A program can divide itself into several threads in order to be able to run on multiple cores. A thread in Live might typically constitute an audio clip playing, followed by an audio effect, then an output to the Master track.
Multi-threading
Multi-threading is the ability of an application or operating system to utilize multiple cores for processing. Live supports and uses multi-threading.
Hyper-threading
Hyper-threading is a feature of certain processors which allows them to further subdivide cores so that two concurrent threads can be handled per core. Hyper-threading is enabled by default in Live for computers with multi-core processors.
In Live 9, if your computer only has a single-core processor, hyper-threading is automatically disabled in order to preserve the correct order of the threads to be processed.
How many cores and threads of a multi-core processor can be utilized at once?
Live supports up to 64 cores for audio processing on Mac and Windows. Likewise, Live supports up to 64 processing threads for audio calculation.
How many threads are used per Live track?
Live uses one thread to process a signal path. A signal path is a single chain of audio flow. In tracks where instrument or effect racks are used, with multiple chains in parallel, Live may use one thread per chain depending on how CPU-intensive each chain may be. If two tracks are "chained" by routing, for instance by a side-chain routing, they are considered dependent tracks and count as one signal path.
Any dependent set of tracks will use one thread each.
Why do I have a high CPU load in a set with just one track?
Because Live uses one thread per signal path, a set with just one track could potentially result in high CPU load if the track contains, for instance, a CPU-intensive instrument followed by a large chain of CPU-intensive effects.
Which is more beneficial, a faster CPU speed or more cores?
Both are important. If your budget allows it we recommend getting the fastest processor and maximum amount of cores that you can afford.
Here's a breakdown of the pros and cons of both:
More cores, slower clock speed
Pros
Live supports multi-threading, therefore the more cores are available, the more efficient it will be when working with larger sets with higher track counts, or when working with large instrument or effect racks.
You'll probably be able to run more apps in conjunction with Live without seeing performance drops.
Cons
Lower single-threaded performance than a higher clock speed processor.
Fewer cores, higher clock speed
Pros
Better single-threaded performance.
Cons
Fewer cores to split between applications.
Not as strong multi-threading performance.
Mac Compatibility with Live:
Live Versions: 10, 11
Operating System: macOS
Note: We highly recommend waiting until Live and all your third-party plug-ins, hardware drivers, and other programs are officially supported before updating to a new OS.
Apple Silicon/M1 Compatibility
Live 10.1.35 and 11 are compatible with Apple silicon computers through Rosetta.
macOS 11 Big Sur Compatibility
Live 10.1.35 and 11 are compatible with Big Sur.
Live 11
Live 11 is compatible with macOS High Sierra 10.13.6 to Big Sur 11.
Live 10
Live 10.1.35 is compatible with macOS El Capitan 10.11.6 to Big Sur 11.
Note: When updating to any new OS, please make sure that all of your third-party plug-ins, hardware drivers, and other software programs are officially supported.
Make backups of any important data before upgrading your operating system. If you are working on any time-critical projects, we recommend staying with your current OS for the time being.
[The organization of the thread could have been better, but I wanted to post it before someone else did, LOL. ~BB]
HASHES:
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Cyclic redundancy check
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CRC-32: Cyclic redundancy check, 32 bit: 686C7273
Message-Digest algorithm
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MD2: Message-Digest algorithm 2: 48E590731C994AC63D241F16D35FDAE9
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e2dk: acbb511a6ad6cb6349964d5605b3a382
MD5: Message-Digest algorithm 5: 560DB6AB012D0A74EA6C76460F96622A
US Secure Hash Algorithm
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SHA-0: US Secure Hash Algorithm 0: 5D17F8CE7D96074465CF9754A9B0DCEA59DB6841
SHA-1: US Secure Hash Algorithm 1: A5211C29B0ABB214B3288DDBC472121FF4F6109A
SHA-256: US Secure Hash Algorithm: 2861E1AA9B4829993165487EB1BDCAE9769BA3F44CAF03B17F88442C4DF53F1C
SHA-384: US Secure Hash Algorithm: 2646F2583025F9365A2D1A1BB372EF0330C05BE49E1977A8917233F73F439BD2DB0EFD9DC2FE5474DDCBD06569A49169
SHA-512: US Secure Hash Algorithm: 8B20C4AB5AD9DC3E3407B5C822591B6CC99CC226CD46D02BED188B0F7D221A6ED37E621AE93C55A347E42DA308990265F0E589D6C0B1D520E9E84088537A6E
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Ableton - Live Suite v.11.0.2.rar.torrent
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